CURRENT AND UPCOMING EXHIBITIONS/RESIDENCIES
Emily Harvey Foundation Residency, Venice, Italy, summer 2025
Nurture: Empathy for the Earth, University Hall Galler, UMass. Boston, curated by Sam Toabe, September 3-December 14, 2024
New Faith II, Zurab Tsereteli Museum of Modern Art, Tbilisi, Georgia, curated by David Andriadze and Konstantin Mindadze, July 19-October 2024.
Monochrome Explored, Site : Brooklyn, Brooklyn, NY, juried by Tess Thackara, March 15, 2024 - April 15, 2024
Ethereal Forms, Art Collide, International Award Competition and Exhibition, March 2024
RECENT AWARDS, REVIEWS & OTHER RECOGNITIONS:
+ Visual Arts Review: “Nurture: Empathy for the Earth” — Imagining Healing the Planet, The Arts Fuse, Boston’s Premiere Online Arts Magazine, October 24, 2024
+ Reconnect With Nature Through “Nurture: Empathy for the Earth”, The Mass Media, Boston, By Michelle Dang and Rena Weafer, September 23, 2024
+ Eleven Art Exhibitions to See in Massachusetts This Fall, Boston Art Review, September 10, 2024
+ Interview with curator Konstantin Mirandize, New Faith II, AT_ge magazine, Tblisi, Georgia, September 19, 2024
+ Exhibition “New Faith” opens in Zurab Tsereteli Museum of Modern Art, Georgia Today, by Maiam Mtivlishvili, August 6, 2024
+ One Earth Vol. 5 Issue 2, p 186–187, February 18, 2022 (images of Runoff Verdure, published in issue)
+ A Smithsonian museum turns to art, not science, to hammer home a warning about Mother Nature, Washington Post, by Mark Jenkins, July 6, 2021
+ Smithsonian Voices National Museum of Natural History, Artists Show Human Impact on the Planet in New Exhibit, July 1st, 2021, by Margaret Osborne
+ SMITHSONIANMAG.COM | June 14, 2021: The Sad Truths Behind These Unsettling Works of Art; A new exhibition reflects on the haunting aesthetics of human impact on the planet, by Roger Catlin
+ Made Aware, Surface Design Journal, Winter 2019 issue: Marigolds & Unicorns, December 2019 http://www.surfacedesign.org/journal/about-the-journal/
+ Interview: VoyageMia, Magazine, Miami FL, 2019
+ F.A.T.E. Leadership Award, Foundations in Art Theory and Education, presented at FATE 17th Biennial Conference, Columbus, Ohio, 2019
+ Publication: The World to Come; Art in the Age of the Anthropocene, Edited by Kerry Oliver Smith, University of Florida Press, 2018
+ Radio Interview, State of The Arts, KTEP 88.5 FM, with fellow artist Brenda Perry about water, activism and our two-person exhibition at New Mexico State University
+ Gallery, Saturday, January 9th, 2016
+ Footing the Bill: Art and Our Ecological Footprint, Artworks for Change, Oakland, CA, partnered w/ Global Footprint Network and Earth Day Network, (online exhibition) launched for Earth Overshoot day August 13th, 2015
+ Represented by Los Angeles Center for Digital Art <http://lacda.com/LACDA_artists_gallery.html>
RECENT/UPCOMING LECTURES/TALKS:
+ Smithsonian National Museum of Natural.History: Unsettled Nature: Artist Event Series, Bethany Taylor: Unraveling Ecologies, January 26, 2022 *event recording
+ Streaming Curators and Artist Panel Discussion with Live Catalog Launch, Lost in the Weeds, ATHICA, Athens, GA, Thursday, May 6, 7:00 PM
+ Invited Visiting Artist, Senior Capstone, UMASS Boston, April 1, 2021
+ Gallery Conversation: The Potential of Fragments and Loose Threads, Harn Museum of Art, September 29, 2019
+ To Write in Silent Marks, artist talk, Webber Gallery, College of Central Florida, September 18, 2019 (invited)
+ Session Chair, Interdisciplinary Thinking for a Better Tomorrow, 2019 Foundations in Art Theory and Education (FATE) conference, Columbus Ohio, April 4-6, 2019.
+ Deeper than Indigo, Southeast Textile Symposium, February 21-23, 2019 <https://www.flagler.edu/textilesymposium/>
Panel discussion, By Hand: Contemporary Practices in Fiber Arts, Gamache-Koger Theater, Ringhaver Student Center, Flagler College Campus, Saint Augustine, Florida, Saturday February 23rd, 2019, 11:15 a.m. – 12:15 p.m.
RECENT COLLABORATIVE PROJECTS:
Drifting Cabinets: a Curious Portable Collection of Gulf Biodiversity, exhibiting artist in a touring interdisciplinary, collaborative art + science project created and curated by Sean Miller <http://www.seanmillerstudio.net>.
2017-18 UF Catalyst Grant for UF Biolink, a project to connect diverse teaching, training, and creative efforts across campus, encouraging collaboration and trans-disciplinary research around the theme of biodiversity. Visit: UFBIOLINK.ORG
Jacquard woven drawings, Nothing’s Left and One Ought not to Wrestle with Ghosts are featured in video as exhibited in the extinction section of the exhibition, The World to Come, curated by Kerry Oliver Smith, at the DePaul Art Museum, Chicago, March 2020 – August 2020.